Eurus Gallery is proud to present a new exhibition dedicated to the rare and even more unique techniques that push the boundaries of craftsmanship and celebrate exceptional gemstones. When we talk about gemstones, we refer not only to the material itself but also to the techniques of stone cutting. The well-known “Four Cs”—Color, Clarity, Carat, and Cut—are of utmost importance. While “cut” typically refers to the quality of faceting, we emphasize the artistry and creativity of the cut.
For the first time, the exhibition will feature the works of Victor Tuzlukov, a master gem cutter whose pieces reside in leading museums around the world.
Tuzlukov’s creations have graced prestigious exhibitions across the United States, France, and Russia, underscoring his profound global influence. His exceptional mastery is exemplified by his creation of the 3,051-carat “Fragility of the Eternal,” a kunzite that holds the Guinness World Record for the largest faceted spodumene. This extraordinary masterpiece boasts 928 facets and stands as a testament to his unparalleled skill and artistry.
Another remarkable highlight of his illustrious career is the 116-carat “Lion of Merelani” tsavorite, which is now housed in the Smithsonian’s National Museum of Natural History. This gem is celebrated as one of the most significant gemstones ever mined, further solidifying Tuzlukov’s reputation in the world of fine jewelry.
Traditionally, we know that titanium can be any color except red and black regarding the mass coloring of the metal. However, this fact seems lost on Chinese artist Richard Wu, who has invented a unique alloy that allows titanium to achieve an ideal, deep black coloration.
An even more intricate piece, a ring named “Signature,” is crafted from gold and features an elaborate hand engraving integrated with enamel. As Richard explains, one mistake in this process requires starting all over again, adding to the complexity of this seemingly simple ring.
The most extraordinary enamel work is presented by Ilgiz Fuzulzyanov, known by his creative pseudonym Ilgiz F. His mastery of all enamel techniques is unparalleled, making him the perfect restorer for the enamel collection at the Victoria and Albert Museum. He has held a solo exhibition at the Kremlin Museums and his works are housed at some of the major world museums’ collections. Notably, despite the talented French enamelists, he was invited to teach enamel artistry at the Van Cleef & Arpels school.
Alexander Laut specializes in exceptionally rare gemstones, a skill he honed during his time at Harry Winston, where he handled special orders when the company was still family-owned. After launching his own brand, Alexander Laut, he remained committed to working solely with rare, characterful gemstones, as he describes them. It is no surprise that his pieces are sold signed with his name at Sotheby’s, Phillips, and Bonhams auctions.
The artists at Epic Jewellery have reached incredible heights in titanium craftsmanship, which includes intricate pave designs and stunning pieces like the purple titanium “Golden Beetle” ring and the remarkable titanium cocoon of a butterfly from their collaborative collection with artist Ilya Fedotov-Fedorov, titled “The Circle of Life.” However, not all Epic pieces are complex; some, like the “Cable-Stayed Bridge” ring, appear simple yet require extraordinary technical precision to ensure that all elements are uniform, parallel, and perfectly polished. Additionally, Epic is renowned for its mechanical jewellery, showcasing a remarkable level of complexity reminiscent of high-end horological art.
Intricate narratives and hidden surprises define the creations of Italian jeweller Alessio Boschi. His pieces feature tiny doors and miniature mechanisms that allow earrings to be reconfigured, worn in various ways, or transformed into pendants or parts of bracelets. Through his jewellery, Alessio tells stories that are both captivating and unique.
For the first time, Eurus Gallery is showcasing the work of the art brand VA. VA’s creative vision is instinctively guided—an immediate, almost intuitive connection with the stones. Each piece begins with a singular moment of recognition: the certainty that a particular diamond holds a unique story waiting to be unveiled. With the Quiet Rings collection, VA emphasizes purity, strength, and a commitment to minimalistic design that enhances the essence of each gemstone.
Behind the initials VA stands a renowned expert with over 25 years of experience in the fine antique jewellery and exceptional gemstones industry, possessing a profound understanding of diamonds and their unique characteristics. His transition into design was a natural progression, shaped by his passion and expertise. He is driven by an intuitive approach to creation, where simplicity becomes the ultimate challenge—mastering proportions to allow the stone to speak for itself. As he puts it, “Simplicity unveils the true character of a gemstone. The purer the design, the more its beauty shines.” His philosophy is straightforward: let the stone take center stage. With an eye for rare and exceptional diamonds, VA’s work is marked by purity and effortless strength, resulting in jewelry that transcends passing trends.
While it may be difficult to impress with art created using lenticular printing techniques today, Olga Tobreluts was a pioneer in this unconventional medium and her pieces demonstrate masterful command over this technique, along with the ability to create deeply intriguing and meaningful images based on a precise understanding of how lenticular printing is produced. Today, we see various artists at global contemporary art fairs employing lenticular techniques, but Olga was undoubtedly among the first to do so. Her work is highly valued for its authenticity.
Irina Petrakova has developed a technique she describes as “blot art,” inspired by her desire to break away from her academic background. This approach resembles a Rorschach test, where viewers are encouraged to engage with the artwork, standing and gazing at it to discover new details and meanings. This sentiment is true for all the pieces featured in the upcoming exhibition, which warrant focused and contemplative observation.
